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The disaster artist: My life inside The room, the greatest bad movie ever made
(Book)

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Contributors:
Published:
New York : Simon & Schuster Paperbacks, 2017.
Format:
Book
Edition:
Simon & Schuster trade paperback edition.
Physical Desc:
xviii, 270 pages (16 pages of numbered plates) : illustrations, plates ; 22 cm
Status:
Copies
Location
Call Number
Status
Last Check-In
Boulder Main Adult NonFiction
791.4372 Sest
On Shelf
Nov 22, 2020
Loveland Adult Nonfiction
791.4372 Sestero, G.
On Shelf
Feb 16, 2019
Description

In 2003, an independent film called The Room--starring and written, produced, directed by a mysteriously wealthy social misfit of indeterminate age and origin named Tommy Wiseau--made its disastrous debut in Los Angeles. Described by one reviewer as "like getting stabbed in the head," the six-million-dollar film earned a grand total of $1800 at the box office and closed after two weeks. Ten years later, The Room is an international cult phenomenon. Thousands of fans wait in line for hours to attend screenings complete with costumes, audience rituals, merchandising, and thousands of plastic spoons. In The Disaster Artist, actor Greg Sestero, Tommy's costar and longtime best friend, recounts the film's long, strange journey to infamy, unraveling mysteries for fans--who on earth is "Steven," and what's with that hospital on Guerrero Street?--as well as the question that plagues the uninitiated: how the hell did a movie this awful ever get made? But more than just a laugh-out-loud funny story about cinematic hubris, The Disaster Artist is also a great piece of narrative nonfiction, a portrait of a mysterious man who got past every road block in the Hollywood system to achieve success on his own terms. Written with a gimlet eye but an open heart, The Disaster Artist is the hilarious and inspiring story of a dream that just wouldn't die.

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Citations
APA Citation (style guide)

Sestero, G., & Bissell, T. 1. (2017). The disaster artist: My life inside The room, the greatest bad movie ever made. Simon & Schuster trade paperback edition. New York: Simon & Schuster Paperbacks.

Chicago / Turabian - Author Date Citation (style guide)

Sestero, Greg, 1978- and Tom. 1974- Bissell. 2017. The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made. New York: Simon & Schuster Paperbacks.

Chicago / Turabian - Humanities Citation (style guide)

Sestero, Greg, 1978- and Tom. 1974- Bissell, The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made. New York: Simon & Schuster Paperbacks, 2017.

MLA Citation (style guide)

Sestero, Greg, and Tom. 1974- Bissell. The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made. Simon & Schuster trade paperback edition. New York: Simon & Schuster Paperbacks, 2017. Print.

Note! Citation formats are based on standards as of July 2010. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.
Staff View
Grouped Work ID:
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Go To GroupedWork

Record Information

Last Sierra Extract TimeJan 05, 2022 02:43:39 PM
Last File Modification TimeJan 05, 2022 02:44:14 PM
Last Grouped Work Modification TimeJan 05, 2022 02:43:47 PM

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5050 |a The players -- "Oh, hi, Mark" -- La France a gagnâe -- "Do you have some secrets?" -- Tommy's planet -- "People are very strange these days" -- Too young to die -- "Where's my fucking money?" -- May all your dreams come true -- "You are tearing me apart, Lisa!" -- Do you have the guts to take me? -- "I'll record everything" -- I'm not waiting for Hollywood -- "Leave your stupid comments in your pocket" -- Highway of hell -- "God, forgive me" -- Don't be shocked -- This is my life.
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More Details
Language:
English
ISBN:
9781501184659 (pbk.), 1501184652 (pbk.)

Notes

Description
In 2003, an independent film called The Room--starring and written, produced, directed by a mysteriously wealthy social misfit of indeterminate age and origin named Tommy Wiseau--made its disastrous debut in Los Angeles. Described by one reviewer as "like getting stabbed in the head," the six-million-dollar film earned a grand total of $1800 at the box office and closed after two weeks. Ten years later, The Room is an international cult phenomenon. Thousands of fans wait in line for hours to attend screenings complete with costumes, audience rituals, merchandising, and thousands of plastic spoons. In The Disaster Artist, actor Greg Sestero, Tommy's costar and longtime best friend, recounts the film's long, strange journey to infamy, unraveling mysteries for fans--who on earth is "Steven," and what's with that hospital on Guerrero Street?--as well as the question that plagues the uninitiated: how the hell did a movie this awful ever get made? But more than just a laugh-out-loud funny story about cinematic hubris, The Disaster Artist is also a great piece of narrative nonfiction, a portrait of a mysterious man who got past every road block in the Hollywood system to achieve success on his own terms. Written with a gimlet eye but an open heart, The Disaster Artist is the hilarious and inspiring story of a dream that just wouldn't die.