In the Margins
(eAudiobook)
Four new and revelatory essays by the author of My Brilliant Friend and The Lost DaughterIn 2020, Claire Luchette in O, The Oprah Magazine described the beloved Italian novelist Elena Ferrante as "an oracle among authors." Here, in these four crisp essays, Ferrante offers a rare look at the origins of her literary powers. She writes about her influences, her struggles, and her formation as both a reader and a writer, she describes the perils of "bad language" and suggests ways in which it has long excluded women's truth, and she proposes a choral fusion of feminine talent as she brilliantly discourses on the work of Emily Dickinson, Gertrude Stein, Ingeborg Bachmann, and many others. Here is a subtle yet candid book by "one of the great novelists of our time" about adventures in literature, both in and out of the margins.
Ferrante, E., & Huber, H. (2022). In the Margins. Unabridged. [United States], Blackstone Publishing.
Chicago / Turabian - Author Date Citation (style guide)Ferrante, Elena and Hillary, Huber. 2022. In the Margins. [United States], Blackstone Publishing.
Chicago / Turabian - Humanities Citation (style guide)Ferrante, Elena and Hillary, Huber, In the Margins. [United States], Blackstone Publishing, 2022.
MLA Citation (style guide)Ferrante, Elena, and Hillary Huber. In the Margins. Unabridged. [United States], Blackstone Publishing, 2022.
Hoopla Extract Information
| hooplaId | 15381440 |
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| title | In the Margins |
| kind | AUDIOBOOK |
| price | 1.29 |
| active | 1 |
| pa | 0 |
| profanity | 0 |
| children | 0 |
| demo | 0 |
| rating | |
| abridged | 0 |
| dateLastUpdated | Sep 20, 2022 11:13:55 PM |
Record Information
| Last File Modification Time | Nov 23, 2023 01:51:55 AM |
|---|---|
| Last Grouped Work Modification Time | Apr 03, 2024 11:11:02 PM |
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| 520 | |a Four new and revelatory essays by the author of My Brilliant Friend and The Lost DaughterIn 2020, Claire Luchette in O, The Oprah Magazine described the beloved Italian novelist Elena Ferrante as "an oracle among authors." Here, in these four crisp essays, Ferrante offers a rare look at the origins of her literary powers. She writes about her influences, her struggles, and her formation as both a reader and a writer, she describes the perils of "bad language" and suggests ways in which it has long excluded women's truth, and she proposes a choral fusion of feminine talent as she brilliantly discourses on the work of Emily Dickinson, Gertrude Stein, Ingeborg Bachmann, and many others. Here is a subtle yet candid book by "one of the great novelists of our time" about adventures in literature, both in and out of the margins. | ||
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