Solid Ivory: memoirs
(Book)
In this carefully crafted mosaic of memories, portraits, and reflections, the Academy Award–winning filmmaker James Ivory, a partner in the legendary Merchant Ivory Productions and the director of A Room with a View, Howards End, Maurice, and The Remains of the Day, tells stories from his remarkable life and career as one of the most influential directors of his time. At times, he touches on his love affairs, looking back coolly and with unexpected frankness. From first meeting his collaborator and life partner, Ismail Merchant, at the Indian Consulate in New York to winning an Academy Award at age eighty-nine for Call Me by Your Name; from seeing his first film at age five in Klamath Falls, Oregon, to memories of Satyajit Ray, Jean Renoir, The New Yorker magazine’s film critic Pauline Kael (his longtime enemy), Vanessa Redgrave, J. D. Salinger, George Cukor, Kenneth Clark, Bruce Chatwin, Ruth Prawer Jhabvala, and Merchant―Ivory writes with invariable fluency, wit, and perception about what made him who he is and how he made the movies for which he is known and loved.
Ivory, J., & Cameron, P. (2021). Solid Ivory: memoirs. First edition. New York, Farrar, Straus and Giroux.
Chicago / Turabian - Author Date Citation (style guide)Ivory, James and Peter Cameron. 2021. Solid Ivory: Memoirs. New York, Farrar, Straus and Giroux.
Chicago / Turabian - Humanities Citation (style guide)Ivory, James and Peter Cameron, Solid Ivory: Memoirs. New York, Farrar, Straus and Giroux, 2021.
MLA Citation (style guide)Ivory, James, and Peter Cameron. Solid Ivory: Memoirs. First edition. New York, Farrar, Straus and Giroux, 2021.
Record Information
Last Sierra Extract Time | Apr 22, 2024 03:48:23 AM |
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Last File Modification Time | Apr 22, 2024 03:48:46 AM |
Last Grouped Work Modification Time | Apr 22, 2024 03:48:26 AM |
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245 | 1 | 0 | |a Solid Ivory :|b memoirs /|c James Ivory ; edited by Peter Cameron. |
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505 | 0 | |a I: Growing up. Klamath Falls -- Eating in the depression -- Dramatics : blomie -- II: Queer as Jack's hatband. The boy who would not speak -- Jimmy Boyd -- Fraternity sickness -- At Dr. Zeck's -- Another Bill -- III: With letters of introduction. Venice -- Kabul -- Making movies. IV: What I do -- Standing by in Bhopal: In Ismail's custody -- Maestro -- Call me by your name -- V: Portraits. Kenneth Clark -- George Cukor -- Lillian Ross : a day with Wonder Woman -- Dorothy Strelsin -- Raquel Welch -- Vanessa Redgrave -- Bruce Chatwin -- Lillian Ross, continued -- Stephen Tennant -- Susan Sontag -- Ruth Prawer Jhabvala -- Ismail Merchant -- VI: Etcetera. The great ball at Wilton -- The Ismail Merchant collection -- A Rajput dinner party -- Lake of the Woods -- Solid Ivory. | |
520 | |a In this carefully crafted mosaic of memories, portraits, and reflections, the Academy Award–winning filmmaker James Ivory, a partner in the legendary Merchant Ivory Productions and the director of A Room with a View, Howards End, Maurice, and The Remains of the Day, tells stories from his remarkable life and career as one of the most influential directors of his time. At times, he touches on his love affairs, looking back coolly and with unexpected frankness. From first meeting his collaborator and life partner, Ismail Merchant, at the Indian Consulate in New York to winning an Academy Award at age eighty-nine for Call Me by Your Name; from seeing his first film at age five in Klamath Falls, Oregon, to memories of Satyajit Ray, Jean Renoir, The New Yorker magazine’s film critic Pauline Kael (his longtime enemy), Vanessa Redgrave, J. D. Salinger, George Cukor, Kenneth Clark, Bruce Chatwin, Ruth Prawer Jhabvala, and Merchant―Ivory writes with invariable fluency, wit, and perception about what made him who he is and how he made the movies for which he is known and loved. | ||
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